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  • B52 (Mk 1) Inbound

    B52 (Mk 1) Inbound

    Alrighty. Obligatory backstory. Feel free to skip until you get to the list of ingredients.

    Those of you who know me know I don’t drink. I know, it’s like “how do you know someone is vegan?” “They’ll tell you.” Used to drink, don’t. Usually. Except for certain occasions such as the Warwick Folk Festival where a little alcoholic immunisation help the joints with the roughly 20-odd hours of ceilidhs that occur over the weekend. And even there it’s not a lot. Apart from Saturday night where we somehow ended up on shots at the fantastic Moon Gazing Hare spirits horse box. Having discounted the unfortunately named BJ as it contains Amaretto DiSaronno (basically my wife’s Kryptonite), we moved through the Baby Guinness (Kahlua topped with Baileys) and ended up on the B52. For those who don’t know, it appeared to be equal parts Kahlua (coffee liqueur) and Grande Marnier (orange liqueur), topped with a Baileys float. Oh, and they slipped down very nicely indeed.

    And then the culinary brain kicked in. Hang on, it shouted over the band. You already do a coffee cheesecake, it’s extremely good. And you already do an orange cheesecake, also rather tasty. So why not look to combine the two… I mean, what could go wrong?

    So today’s recipe is by way of an experiment. If it works, there’s a whole world of cocktails out there to inspire the next generation of cheesecakes that could follow…

    (if you’ve skipped, start here)

    Without further ado, then, quick spin round the ingredients, Clive, then back to me. Oh, and oven to 180°C with a shelf in the middle ready to go. Oh, you can ignore the rhubarb. And the ghee. And the oil and jam jars at the back…

    For the base, you’ll need:

    • 6-8oz Bourbon biscuits, finely ground. I find the murder blades in the spinny thing work very well for this.
    • 3oz butter, melted.
    • 2oz very strong dark chocolate chucked in with the Bourbons as you blitz them to a powder not dissimilar to coffee granules.

    Mix all the base ingredients together, put into the bottom of a 9″ spring-sided cake tin, press flat to make a nice, even base. I use a potato masher for this. Put the cake tin on a flat tray to catch any escaping melted butter, whack it in the oven for 10 minutes.

    Meanwhile…

    For the cheesecake itself you’ll need…

    • 4 small pots or 2 large pots of Philadelphia cream cheese. Please, for the sake of the end product, use the full-fat cheese. Please. Really. Don’t think you can make a low-fat cheesecake, it’s not worth the disappointment. And don’t think you can get away with supermarket own brand for this ingredient, either. I’ve done that experiment so you don’t have to.
    • 1 225g pot of marscapone. Yes, I’m mixing grams and ounces. Don’t tell me you don’t have both in your kitchen. These things come in 225g pots. Use 1.
    • 4 medium eggs. If you look closely at the picture of the ingredients, you’ll see 5 eggs. That’s because these are rather small eggs. So I’m using more of them. If you’ve got really big eggs, just use 3. If you’ve got goose, emu, or ostrich eggs, please let me know how you get on but do adjust your proportions accordingly.
    • 1 jar marmalade. There’s a whole step you can skip if you buy marmalade that doesn’t have bits in. Is your time worth it? Probably. Unless you made the marmalade yourself, in which case make sure you’ve a good crust of bread to hand.
    • Instant coffee. The good stuff. Full fat, again. 1 tablespoon, heaped flat.
    • 1 tub soured cream, 300ml ish.
    • 5oz caster sugar
    • 2oz Horlicks/similar malted powder stuff. Supermarket own brand absolutely fine to use here.

    If your marmalade has bits in it, put the entire contents of the jar into a pan, heat it up (but not to boiling) and sieve out the bits. Then dissolve the instant coffee in the orange goo that’s left. Put to one side, leave to cool.

    Then in a big mixing bowl mix together the cream cheese, the marscapone, the sugar, and the malty stuff until thoroughly combined. Add the eggies (sorry, eggs), blend those in gently, don’t over-mix. Finally while mixing, pour in the cooled coffee/orange mix and the soured cream, combine the lot. Beige is the colour you’re aiming for. It’s very beige.

    The oven timer should’ve gone off some time around adding the eggs, you’ve taken the base out and it’s cooled slightly. Pour everything from your mixing bowl into the cake tin and return it to the oven. Endless experimentation tells me it needs to be there for 48 minutes.

    Now wash up. Seriously. Wash everything up, put it all away. You’ll thank me later.

    When the 48 minutes have elapsed, your cheesecake will look like this.

    Switch off the oven, prop the door open a crack, and allow the cheesecake to cool naturally with the oven.

    Once cooled, put it in the fridge overnight, then you’re on to making the topping:

    For the topping, you’ll need:

    • 1 tub marscapone.
    • 300ml ish double cream.
    • 4 tablespoons rum into which you’ve dissolved 2 tablespoons of that fine, full-fat instant coffee.
    • 50-75g icing sugar, depending on how sweet you want your topping.

    Whip the double cream, mix together the coffee/rum, sugar, and the marscapone. Fold B into A. As long as B is the coffee/marscapone mix and A is the double cream. If you’ve done it the other way around, fold A into B.

    Run a knife around the inside of the spring-form tin, remove the metal outer. Then apply a generous layer of topping to your cheesecake. Pause, admire it, then add a bit more then leave it alone. It doesn’t need more topping, you’ll use about half of it. I suggest making a cake to use up the rest, or make 2 of these!

    If my calculations are correct, the B52 should be gorgeous!

    Tasting notes and modifications…

    Well, the coffee overwhelmed the majority of the orange. Too subtle. So I’ve halved the amount of coffee to go into the orange. Further experimentation required. Far too much topping added, it really doesn’t need to be almost 60/40 cake/topping. So again, I’ve dialed that back.

    But it’s a solid start and I wonder what other cocktails might just work…

  • Looking beyond the Rivers…

    So, Ben Aaronovitch has achieved one of his life’s ambitions and has an RPG of his work created. This thing of beauty exists!

    Cover of the standard edition of the Rivers of London RPG published by Chaosium

    Those fine folks at Chaosium have created this delight and it’s using the same roleplaying engine as their flagship Call of Cthulhu. That means every single supplement and sourcebook for Call of Cthulhu is instantly at least 90% compatible with Rivers of London. Now this may or may not be a good thing for your players… However, it also means that if you’ve got your hands on the old Laundry Files RPG, that’s also 90, 95% instantly usable. And who’s to say that Bob and co don’t exist in the Rivers universe? The world and timeline of The New Management series is significantly different to Rivers, though…

    If you’ve read all there is to read of Rivers of London and are looking for some more inspiration, chances are you’ve already gone down the usual rabbit hole of Neil Gaiman in general, Neverwhere and Sandman in particular (the thought of Peter Grant and co encountering The Earl’s Court on the underground is particularly tasty), and you’ve probably devoured all of Charles Stross’s Laundry Files. So I’m not going to recommend them. You’ve read them. You know they’re awesome. Instead, I’ve got 5 series you may not have encountered but which are replete with ideas you can rob for your Rivers of London game. And who knows, might just throw a few curve balls your players weren’t expecting.

    The Peculiar Crimes Unit

    There are 18 books in this series. That should keep you going for a while. The Peculiar Crimes unit investigates crimes that are just that. Peculiar. But peculiar in the sense that cases they investigate are unusual crimes, crimes that could cause national scandal or public unrest. Odd crimes. Crimes that could have a rational explanation but might not… Running the full length of the octogenerian detectives’ Bryant and May’s careers from wartime London to the (almost) present day, they’re full of London trivia, history, fascinating looks at the guilds, the Underground… They are, in short, perfect fodder for just upping the supernatural aspect and dropping lock, stock, and two smoking barrels straight into Ben’s world. Oh, and Punch may make the odd appearance…

    The Shadow Police

    Now this is an unusual coincidence. Or is it? Y’see, back in the 1980s Ben was writing Dr Who for Sylvester McCoy. He had this great idea of magicians working for the Metropolitan Police. No, no hang on, that was Paul Cornell. Turns out both Ben and Paul wrote Who back in the 80s, both had the idea of magicians and the Met. But Paul’s books are just a shade darker than Ben’s. Also, and most irritatingly, Paul’s series is incomplete. We’re looking at all 3 covers above for what should have been a 5 book series. That doesn’t stop these being compelling stories with a fabulous alternative take on how magic works. If enough of us read these and review them, maybe we can persuade the publishers that there’s mileage in getting the series finished!

    The Courts of the Feyre

    Venturing out of London occasionally proves to be a good idea, and the Courts books do just that. But only occasionally! Again, rooted in folklore and tradition – the first book centers on a ceremony that you can go and see (assuming you can find out when it’s being held) – this series introduces a wonderful array of non-human and part-human characters and is largely focused on their world. All manner of Fey creatures make their presences felt. In many ways it’s more akin to Neverwhere than anything else I’ve read. A great series, only 4 books long, that leaves you wanting to know more. An ideal opportunity to bring the Eight Court into the spotlight for your game…

    The Green Man

    The most recent discovery on this list (courtesy of my wife and, I believe, a Radio 4 article), the 5 books in this series look at all manner of English folklore and mythology. Starting with The Green Man himself, and swiftly introducing Dryads, Naiads, Black Shuck, Hobs, Sylphs, Nereids, magicians (and wannabes), Nixs, Swan Maidens, ghosts… and I’m only on book 3! A nice touch of humour, a wonderful way with words, and some interesting research that adds depth to the story. Really enjoying these books at the moment. Well out of London and currently in my present stomping grounds.

    Inspector McLean

    Finally heading well out of London and up to my absolute favourite city, Edinburgh, the 13 (at time of writing) Inspector McLean novels. If you were to create a scale with the purely rational Morse books at one end, and the 100% Urban Fantasy of Rivers of London and London Falling at the other end, the Peculiar Crimes unit would sit somewhere to the left, close to Morse but not entirely grounded in the “real” world. Inspector McLean’s adventures around Edinburgh would sit somewhere nearer the middle. There are elements that are quite definitely, unquestionably, irrational. Magical. Greater forces at work than are dreamed of in your philosophy, Horatio. Dark, not always a comfortable read, they are compelling stories that have been building a wonderfully interesting world over the years. And, c’mon, it’s Edinburgh!

    How you find these books is up to you. I’m not going to link you to the Amazon pages, you’re all quite capable of finding these for yourselves. You’re clever people. Any other recommendations, please leave them in the comments below. I’ve a “to be read” pile about a mile high, but I’m always looking for new additions.

  • Mirror, Mirror, on the Cake…

    Mirror, Mirror, on the Cake…

    Alrighty then, let’s do this thing.

    The mirror glaze. Much attempted on the Great British Bake Off, much failed, or much left with something roughly the consistency of a car tyre wrapped around your cake, resisting the knife and quite possibly an attack from automatic weapons or artillery fire.

    Pause there for a moment, rewind. Why the heck would I be doing something so awful to one of my cheesecakes? Well, let’s face it, they’re not always lookers. They’re not always the prettiest of things. And if you look at the effect a good ganache can have on a chocolate cheesecake, you’ll see that they can definitely be improved.

    The cheesecake itself is a classic raspberry one, swapping out a chunk of the sugar for a jar of raspberry jam, adding in a sprinkle of freeze-dried raspberry powder from Sous Chef (here you go, no affiliate links here: https://www.souschef.co.uk/products/natural-raspberry-powder) to both the hob-nob-alike biscuit base and the mix itself. Basically it’s a Cranachan without the whisky and, as has been previously demonstrated, it’s gorgeous. But I’m taking one of these to a dinner party so I need to elevate it in terms of presentation. Hence the mirror glaze.

    So step one, as always, hit the web, do some research. Or, Qwant it and grab the first recipe that comes up. BBC Good Food, so always a winner. Tried and tested. https://www.bbcgoodfood.com/user/10282926/recipe/mirror-glaze-0

    But it calls for some odd quantities – 15g of gelatin rather than the 12g sachet it comes with. Fire up the maths brain and the quantities work out rather conveniently…

    15g of gelatin becomes 12g. 200g of anything becomes 160g, 150g sweetened condensed milk becomes 125g. 80ml water becomes 60ml (1/4 cup) 100ml water becomes 80ml (1/3 cup). The rest of the recipe is unchanged.

    Follow the recipe, make the glaze, panic when you realise your fancy sugar thermometer spatula thingy died a year or more ago. Relax when your amazing wife passes you an actual sugar thermometer.

    And that’s a weird one to make. Not complicated, just weird. Glucose syrup is odd stuff to handle. I measured the sweetened condensed milk by volume rather than weight, so that might be a mistake this time. One to correct for next time, I think. It turned out a bit runny, so either I didn’t cool it for long enough or there was a little too much liquid. But, for a mark 1, it looks rather good, it tastes great, and it isn’t going to double up as heat shield replacement for the next Artemis capsule re-entry. It is a rather wasteful process, I’ve got a large plate full of leftover mirror glaze that my kids are slowly devouring as the day progresses. The cheesecake itself, in all it’s glazed loveliness, is sat in the fridge to allow the glaze to properly set and will be tested later. Given how the Mars Bar cheesecake turned out, I’m quietly hopeful.

    Speaking of, if you’re making the Mars Bar one, skip the bourbon biscuits and give these a go – Le Petit Biscotte crunchy cinnamon and brown sugar biscuits. I got them in a 200g pack from Tesco when I was looking for Biscoff, turns out that if you eat 1 biscuit from the pack, what’s left is the perfect quantity for an awesome cheesecake base. Look for the big red LU in the biscuit section!